Tag Archives: Field Trip

10 History Lessons from Savannah Georgia

This past weekend I was able to visit Savannah, Georgia for the first time. I was enamored by all the history around me and thoughts of all the take aways that I was immersed in to bring back to my students to help understand all aspects of history as it relates to this town.

1. Ships of the Sea – Since Savannah is located along the river and includes a major global portal across centuries, the Ships of the Sea Museum exhibits ship models, paintings and maritime antiques, principally from the great Era of Atlantic trade during the 18th and 19th centuries. 

Ships of the Sea Maritime Museum, founded in 1966, exhibits ship models, paintings and maritime antiques, principally from the great era of Atlantic trade and travel between England and America during the 18th and 19th centuries.The Museum features nine galleries of ship models, maritime paintings and artifacts.The vast majority of ship models were commissioned by the Museum to interpret the rich story of Savannah’s maritime history.The collection of models includes, colonial vessels, ironclads, ocean-going steamers, and modern navy ships. The models have been strenuously researched and intricately detailed.

Designed in 1819 by English architect William Jay, the Willian Scarbrough House is one of the earliest examples of domestic Greek Revival architecture in the South. Now home to the Ships of the Sea Maritime Museum.

2. Slavery – The arrival of the slave ship Wanderer to the Georgia coast in 1859, involved the illegal capture and transport of Africans, a conspiracy, the hierarchy of both Savannah society and the United States government, over 40 years of failed U.S. policies, and a capital punishment trial. 

The Ships of the Sea Museum offers an online exhibit the chronicle of the Wanderer is explored, along with the historic context within which this intriguing story unfolded. The history of the slave trade is examined along with U.S. legislation regarding slavery, such as the abolition of the Slave Trade Law, the Fugitive Slave Act, and the Kansas-Nebraska Act, the influence of John Brown’s abolitionist actions and the historic Dred Scott Supreme Court decision.  

3. Sugar – “A most precious product, very necessary for the use and health of mankind” 

– William of Tyre, 12th century

The sweet culinary habits wealthy Savannahians is exhibited at the Jepson Center Telfair Museum dedicated to the consumption of sugar in the port city. This unique display gives visitors a glimpse into humans’ connection to sugar and its complicated history, dependent on slavery, and the city’s socio-economics. Porcelain and silver were shipped from Europe and beyond into the Port of Savannah, providing the elite of this city with purchasing options far surpassing those of any inland towns of the 19th century.

4. Revolutionary War – The siege of Savannah, the second deadliest battle of the Revolutionary War (1775-83), took place in the fall of 1779. It was the most serious military confrontation in Georgia between British and Continental (American revolutionary) troops, as the Americans, with help from French forces, tried unsuccessfully to liberate the city from its yearlong occupation by the British.

5. Yellow Fever – Savannah’s first major yellow fever epidemic occurred in 1820 when 666 people died. In the 1854 epidemic, 1,040 people died. Locals who could afford to leave fled the city and businesses shut down.

6. Civil War – Hundreds of antebellum houses, buildings and churches abound with Civil War history in this city. The Savannah area has three historic forts once occupied by Confederate and Union forces, and miles of coastal channels where gunboats and ironclads sailed and slithered through the marshes, inlets and backwaters of historic Chatham County.

The Civil War is more than what happened on the killing fields of battle. The old city is woven with the stories of generals, planters and brokers, enslaved (and later free) West Africans who lived in the historic lanes. And there are the families — regardless of color or nationality — Savannah’s diverse multicultural population is another side to Civil War history in Savannah that is more than worth the time to explore.

Civil War Savannah is also a place where Union General Sherman, and 60,000 Union troops entered in December of 1864.

Telfair Museum

7. The 3rd Oldest Art Museum – Designed for Alexander Telfair, the Telfair mansion was constructed in 1819 on the site of the former colonial Government House, the official residence of Royal Governor James Wright. Alexander commissioned William Jay, a young English architect, to design his new home. Jay had recently arrived in Savannah from England to oversee the construction of the residence of Richard Richardson (now Telfair Museums’ Owens–Thomas House & Slave Quarters).

In 1875, Alexander’s sister Mary – heir to the family fortune and last to bear the Telfair name – bequeathed the house and its furnishings to the Georgia Historical Society to be opened as a museum. The Society hired German-born artist Carl Brandt to create the new institution. Working with New York-based architect Detlef Lienau and Savannah-based architect Augustus Schwab, Brandt remodeled the old Telfair home and constructed an addition to house a new collection of art. The museum opened to the public in 1886, making it the oldest public art museum in the South and the first museum in the United States founded by a woman.

In 1906, Telfair Museums’ Board of Trustees asked American artist Gari Melchers to serve as the museum’s fine arts advisor and to make purchases on its behalf. During his tenure from 1906 to 1916, he facilitated the purchase of many of the best-known works in the permanent collection thanks to his many connections to the international art world.

Today, Mary Telfair’s unique gift to the city of Savannah has grown into an institution comprising three architecturally significant buildings, over 6,300 works of art, and a proud history of educational programming and exciting exhibitions.

8. Ghosts & Hauntings – Savannah is widely known as the most haunted city in America. Walk into any historic building or cemetery in Savannah and you may catch sight of ghostly presences surrounding you. Some say that the city was built on the graves of indigenous people and then over time built on top of cemeteries of slaves and those who died during the Revolutionary and Civil Wars. In fact, unbeknownst to us, we stayed at the Marshall House one of the top haunted hotels in the U.S. Since 1851, this hotel has been used as a hospital three times – once for Union soldiers and twice for 19th century Yellow Fever epidemics.

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9. Civil Rights –  On March 16, 1960, black students led by the NAACP Youth Council staged sit-ins at white-only lunch counters in eight downtown stores. Three students, Carolyn Quilloin, Ernest Robinson, and Joan Tyson, were arrested in the Azalea Room here at Levy’s Department Store (now SCAD’s Jen Library). In response, African-American leaders W.W. Law, Hosea Williams, and Eugene Gadsden organized a nearly complete boycott of city businesses and led voter registration drives that helped elect a moderate city government led by Mayor Malcolm Maclean. Sit-ins and the boycott continued until October 1961, when Savannah repealed its ordinance requiring segregated lunch counters. The boycott continued until all facilities were desegregated in October 1963, eight months before the passage of the Civil Rights Act of 1964. In 1964, Martin Luther King, Jr. declared Savannah the most desegregated city south of the Mason-Dixon Line.

The Davenport House presents the story and lifestyle of a young builder, Isaiah Davenport, and his household in the early 19th century.

10. Mythology of Moonlight & Magnolias – There are many historic mansions built in 1820s in Savannah. Whereas, when these museums opened in the 1950s, there was no mention of the people enslaved on the property. Like most house museums, the focus used to be on the luxury and aesthetic appeal of the lifestyles of the wealthy, centering and mythology of moonlights and magnolias. It has taken decades of labor, research, and collaboration to construct an honest interpretation of the history of this period. Many museums continue to hone their presentation as facts present themselves. Savannah’s historic homes can offer a closer look at the lives of its (mostly white and wealthy) residents in times past, an appreciation of the architecture and furnishings of a particular period.

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8 Activities to Help Students Understand & Experience the National Parks

I recently took a family trip to Maine for a week and during our trip we visited Acadia National Park in Bar Harbor. Visiting the park that was breathtaking, the gorgeous views of the ocean and surrounding Maine Islands. We travelled up to Cadillac Summit, the highest peak on the Eastern Seaboard – note I am afraid of heights so this was scary and it took me awhile to get out of the car as my kids jumped around on the rocks! We drove down to Jordon Pond, a glistening 187 acre pond formed by the Wisconsin Ice Sheet during the last glacial period. Driving around Park Loop Road we stopped to take in the incredible rock formations, cliffs, ocean, and tried to hear the waves crash at Thunder Hole.

Our excursion made me think about the research reports that students have to do about the park and does that really give them an immersive experience to the awe-inspiring beauty of the National Parks. Not really, so here are some alternative activities to help students see the beauty of our planet, maybe become rock nerds, and experience the gems of nature.

  1. Take A Virtual Trip to a National Park – Many of the National Parks like Yellowstone and Channel Island National Parks allow people a 360 Degree Video of the geological features in each national park. Some parks provide videos and virtual tours for students to immerse themselves in the rich marine life underwater at Channel Island National Park or watch the sun rise over Garfield Peak in Crater Lake National Park. Check out this virtual tour down to Jordan Pond in Acadia.

2. Geology Connections – America has a rich geological legacy and the National Parks help us understand the Earth’s history and formation. Students can study rocks and minerals, plate tectonics, land forms, geologic time. Ask students to look at the rocks in their neighborhood and community as an entry point to understanding larger geologic fundamentals. Or students might create a chocolate Rock Cycle model.This topic is also lends itself to a lesson on weathering and erosion.

3. Learn About Indigenous Land – Maine is the homeland of the Wabanaki, the People of the Dawn. At the beginning of the trail to Acadia National Park is the Abbe Museum, which showcases the history and cultures of the Native people in Maine, the Wabanaki. All of the land in the United States and Canada was the homeland of Indigenous people and we need to recognize that and teach students about the people who came before us. There is a history before the “explorers founded and settled on American soil. This can include lessons on deconstructing stereotypes, Colonization, and Human Rights.

4. Observe & Respect the Wildlife – Our national parks is home to incredible wildlife. Wildlife Webcams allow students to observe the incredible wildlife in our National Parks. From bear cams to ocean cams, and eagle cams, students can see these animals in natural habitats. Watch, study, and research more about your favorite animal living in the National Parks to share with others.

5. Let’s Play Games and Challenges – What do you know about our National Parks? The National Parks Service has curated a page of games and challenges that any students can play. Test your knowledge of wildlife and bird calls, draw, design, or create something inspired from the parks, or play virtual national parks bingo. Students can try out one or many of these games and challenges or create their own game. If you love games, Underdog Games created a fun game that I have played with my family called Trekking the National Parks board game to learn more about the National Parks and makes you want to visit all of the 60 National Parks across the U.S.

6. Literature & Poetry – Through America’s history, writers and poets have found beauty and inspiration in nature. After taking a virtual tour of the National Parks or sharing images from different parks around the United States, students can write their own poetry and writings inspired by the landscapes. Forest Poetry, POV piece from a Grizzly living in the park or coyote climbing Bubble Mountain, write a narrative based on the people who first lived on the land, these are three different writing activities to inspire students creativity and learn more about the National Parks.

7. Read Literature and Writing Inspired by Nature – There are many writings about nature that students can read and analyze or use as mentor texts for their own writing. The National Parks Service has a lesson plan deconstructing Carl Sandburg’s Poem “Fog.” Here is Book Riot’s curated list of 33 poems on Nature that Honor the Natural World.

Fog

BY CARL SANDBURG

The fog comes 
on little cat feet. 

It sits looking 
over harbor and city 
on silent haunches 
and then moves on.

8. Conservation is Key – Conservation is the protection, preservation, management, or restoration of natural environments and the ecological communities that inhabit them. According to the recent United National Climate Report, Climate change is widespread, rapid and intensifying.” It is imperative that we take bigger steps to helping reduce this window to climate crisis. Students can use this report as a catalyst to conducting projects and reports to show ways we can all make a difference to slow down climate change. Educators 4 Social Change publishes articles, lesson plans, videos, and informational sites to help teach climate change.

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Field Trip: George Washington’s Mount Vernon

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Photo credit: Yale University Art Gallery

In John Trumbull’s painting of George Washington the artist blends history and portrait. George Washington was the commander in chief during the Revolutionary War. This painting epitomizes heroism and nobility.

In the same Yale University Gallery, upstairs from the American paintings, stands Titus Kaphar’s Shadows of Liberty in the Modern Art Gallery with similar characters and colors. Yet, his painting tells a very different story and tone. The golden yellow cape wrapped around Washington is a shredded list of enslaved people held up with rusty nails like a collar and covering his mouth.

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You will not find Kaphar or Trumbull’s painting at George Washington’s Mount Vernon Estate, what you will find is an “authentically interpreted 18th century home,” lush gardens and groundsmuseum galleries, and immersive programs.

Mount Vernon was George Washington’s home. It was also home to hundreds of enslaved people who lived and worked under Washington’s control. In 1799, there were 317 men, women, and children enslaved at Mount Vernon’s five farms, which covered 8,000 acres. They made up more than 90% of the population of the estate. The exhibit states, “Washington’s views on slavery changed over time. Economic and moral concerns led him to question slavery after the Revolutionary War, though he never lobbied publicly for abolition. Unable to extricate himself from slavery during his lifetime, Washington chose to free the 123 enslaved people he owned outright in his will. He was the only founding father to do so.”

Both the Enslaved People’s tour and the museum gallery “Lives Bound Together: Slavery at George Washington’s Mount Vernon” offer a watered down view of slavery and set the tone that the first president of the United States had conflicting views about slavery.

George Washington, ca. 1787–1788 wrote, “The unfortunate condition of the persons whose labour in part I employed, has been the only unavoidable subject of regret.”

History is not one-sided. When teaching about this time period it is important to look at history from multiple perspectives and voices. If you are teaching this time period, here are a few additional resources to add to your repertoire about George Washington.

Born into a life of slavery, Ona Judge eventually grew up to be George and Martha Washington’s “favored” dower slave. When she was told that she was going to be given as a wedding gift to Martha Washington’s granddaughter, Ona made the bold and brave decision to flee to the north, where she would be a fugitive. 51eu07btpel._sx330_bo1204203200_

Erica Armstrong Dunbar reveals a fascinating and heartbreaking behind-the-scenes look at the Washingtons’ when they were the First Family—and an in-depth look at their slave, Ona Judge, who dared to escape from one of the nation’s Founding Fathers.

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For older students, Dunbar’s original book was a Finalist for the National Book Award for Nonfiction offering a startling and eye-opening look into America’s First Family. When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn’t abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.

Hmmmmm, that is very sneaky, Mr. Washington! So, when teaching this time period. Let’s just be sure to paint the whole picture. We can bring in artifacts and texts from multiple perspectives and people.

In your are in the Washington, DC area, George Washington’s Mount Vernon Estate is worth visiting. Also, online there are multiple resources for teachers with lesson plans, virtual tours, a digital encyclopedia, and artifacts. For those who are fans of Lin Manuel Miranda’s Hamilton the Musical, there is a webpage on the Mount Vernon website that looks at how each song from the original cast recording relates to Washington.

 

 

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Awe Struck: Poetry & Art Collide with Chihuly

The New York Botanical Gardens is currently showcasing artworks by world-renowned artist Dale Chihuly. There are more than 20 installations, including drawings and early works that reveal the evolution and development of Chihuly’s artistic process during his world renown career.

Chihuly is known for his vibrant glass sculptures. His work is included in more than 200 museum collections worldwide. He has been the recipient of many awards, including twelve honorary doctorates and two fellowships from the National Endowment for the Arts. Glass as an art form is relatively new in regards to American art history. Glass as an art form did not flourish until the 1960s. Dale Chihuly was introduced to glass while studying interior design at the University of Washington. After graduating in 1965, Chihuly enrolled in the first glass program in the country, at the University of Wisconsin. He continued his studies at the Rhode Island School of Design (RISD), where he later established the glass program and taught for more than a decade. Due in part to the influence of Dale Chihuly and his founding of Pilchuck Glass School, glass has taken on an unique form of expression and art (http://www.chihuly.com/learn).

Chihuly’s work and installation at the New York Botanical Gardens is breath-taking and inspiring. In fact, The New York Botanical Garden, in partnership with Poetry Society of America, presents a Poetry Contest for kids in elementary, middle, and high school who live or study in New York, New Jersey and Connecticut. Students are invited to submit poems (written individually or with student collaborators) inspired by the installations on view at The New York Botanical Garden. The poems are judged by Newbury Award Winning poet, Jaqueline Woodson.

Here are three of my favorite poems on display with Chihuly’s work.

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Sapphire Star

Oh Sapphire Star, your beauty and grace
To see you completely
I’d have my eyes, detached from my face.
You are simple and complicated, but never overrated Whenever I see you, my amazement is automatically instigated. To pronounce your greatness, I’d have to say it with my mind When I rst saw you

You put your signature on my subconscious
Which will forever be signed.
You are a ne work of art, seeming to be made by da Vinci You have my awe, and everyone else’s
Across every sea.
Sapphire Star, you have also taught me a lesson
That of which my heart and mind is taped
To be yourself
No matter who you are
Or what type of abstract shape.

 

Marcus Lopez-Pierre, 6th Grade
Success Academy Midtown West New York, New York

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Sol

Spirals like the way dance makes my hips move left and right
Overjoy people’s faces with the vibrant colors, allusions
Loops like the way natural hair does in its natural state bouncy and coily

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Dazzles you with brightness that may blind your eyes in a snap of a hand Exquisite like the sparkles sparkling on a disco ball
Luxurious for everyone to enjoy going beyond what they can imagine

Citrón

Curves like the way a worm slithers back into its habitat
Injects you with freedom into a new world like Chihuly
Ties all the pieces together to make it unique
Rams all the ideas, differences in your mind that it suddenly goes “poof” Ongoing into my brain was rst a little thing that wasn’t possible

Now it’s a large scale glass curling sculpture Sol del Citrón

 

Essence Sanders, 8th Grade

Harlem Academy New York, New York

 

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Skillfully Sculpted

Glistening in the sun The way water does On days where
The sun

Like a diamond Sparkles
On its throne in the sky

Fountaining up
With bubbles Perched
Where the
Column of water Breaks at the top Into a petaly array And cascading down Sending ripples out From its landing point

Delphinium Sibley-Wilson, 4th Grade
Bronx Community Charter School Bronx, New York

 

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John F. Kennedy as a Writing Mentor & Model: Writing & Social Action

This week I took a trip to The John F. Kennedy Presidential Library and Museum in Boston, MA. The museum is “dedicated to preserving and providing access to the legacy of the 35th President of the United States.”

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Among all the artifacts, photographs, and videos, JFK’s writings were at the forefront. The museum and library present the depth of John F. Kennedy’s writing from his schooling days, his honors thesis that was turned into a book, his writing Portraits of Courage, and the countless speeches he wrote (along with his aide, Ted Sorenson) and presented during the time he was in office. It is intriguing that the Museum begins with information about JFK as a young person and highlights his lack of focus and academic rigor in high school. In fact, it is clear based on his high school grades that school was not JFK’s priority. His French teacher wrote, “Jack’s work varies from excellent to extremely poor. . . he has to make the decision between mediocrity and worthwhile work, – and Jack should never be content with the former.” As one progresses throughout the museum, it is clear that JFK’s work moving forward was more than worthwhile.

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Looking at Kennedy’s writings it is clear that he borrowed from many models and mentors himself to produce one of the greatest speeches in American history. Kennedy’s inaugural address taps into key themes Kennedy wanted to convey to the American people at the beginning of an era:  peace, freedom, service to others, and personal accountability. The speech itself contains contributions or borrowings from, the Old Testament, the New Testament, and president Lincoln. It has been said that the line, “Ask not what your country can do for you, but what you can do from your country” was adapted from Kennedy’s headmaster at Choate.

As a writer, Kennedy was always revising his speeches and looking at the original scripts, one can see the revisions he made in his own handwriting to get the words out just right. His words are meticulous and thoughtful. He used his words to present ideas about war and peace, the possibility of the space program, to advocate for people with intellectual disabilities, when facing a moral crisis and efforts to pass comprehensive civil rights legislation, and to celebrate great writers and artists.

As a teacher, I am always looking for models and mentors for my students to understand the writing process, the craft of writing, and how words are powerful to move masses of people to change thoughts and actions.

Author and teacher, Kelly Gallagher writes in In The Best Interest of Students (Stenhouse, 2015), “students benefit when they pay close attention to models before they begin drafting, they benefit when they pay close attention to models while they are drafting, and they benefit when they pay close attention to models as they begin moving their drafts into revision. Mentor texts achieve maximum effectiveness when students frequently revisit them throughout the writing process.” Kennedy’s writing can be used to study history and the craft of writing. So many of his speeches are mentor texts for our students.

As JFK wrote in the speech for Dallas before his assassination (and was never able to present), “The United States is a peaceful nation. And where our strength and determination are clear, our words need merely to convey conviction, not belligerence.” Throughout his 1,036 days in office, John F. Kennedy’s words were clear and full of conviction, precise and provoking. Aren’t these the same characteristics we want to see in our students’ writing and thinking?

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Field Trip: Smithsonian National Museum of African American History & Culture

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Learning does not only occur in the classroom. I love taking my students on field trips and experiencing learning beyond the walls of my classroom. When there is an opportunity for students to travel beyond the borders of our city and state to make curricular connections, learning is exponential. This past holiday weekend I went to Washington, DC with fifty eighth graders to see the sites and visit the American Holocaust Memorial Museum, Newseum, and the Smithsonian National Museum of African America History and Culture.

The eighth grade humanities curriculum begins with Reconstruction and then moves through American History ending as close to the Vietnam War as possible. The books read in English Language Arts coincide with the themes and time periods students explore in order to make connections and critically analyze choices made throughout history.

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The Smithsonian NMAAHC is an amazing museum with  powerful artifacts and stories depicting African American History from Slavery until today. There were shackles that were used on slaves on display, parts of slave ships, and along the walls of this exhibit the numbers of slaves that originated on a particular ship, it’s origin, and the number of survivors from the travels. There were painting of slave ships, a slave cabin, and even American bonds that depicted slave images on the bills.

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The museum states that the main messages of this exhibit include:

  • Slavery is a shared story resting at the heart of American political, economic, and cultural life.
  • African Americans constantly and consistently created new visions of freedom that have benefited all Americans.
  • African American identity has many roots and many expressions that reach far back into our past.

Walking through the History Galleries (I suggest you visit these floors first), there are artifacts like a Tuskegee Airplane, a segregated rail car, Emmitt Till Memorial, and hundreds of photographs, testimonies on displays that highlight the decades and movements of civil rights, and beyond.

Since many of my students read Melba Patillo Beals’ memoir, Warriors Don’t Cry, the artifacts like photographs of the Little Rock 9 during desegregation and a sign from a segregated bus station in Birmingham, Alabama were reminders of what Melba, and  others, experienced during her high school years at Central High School.

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The museum has over 37,000 artifacts from history that help show and tell American history and celebrate African American contributions. The upstairs galleries highlight the artists, writers, musicians, actors, politicians, and military heroes. The music contributions are tremendous and you will see Chuck Berry’s red convertible Cadillac, RUN DMC’s Adidas’ sneakers, and clothing worn by Michael Jackson and countless others. This exhibit rivals the Rock and Roll Hall of Fame.

There are learning opportunities for educators, one day workshops and a summer week long institute on race and identity. The museum states, “Our programs and resources are designed to ignite critical thinking skills and creativity, to generate self-pride and inspire life-long learning for diverse audiences.” To find out more about the professional learning events you can visit their website.

There is so much to see and reflect on. We did not spend enough time there and I cannot wait to go back. Attending an educator’s workshop is also on my list of things to do. As the museum states, “Race is an aspect of our American culture that is often ignored, glossed over or mishandled.  Additionally, to succeed in promoting equity, tolerance, and justice, childhood is the time to address these issues by understanding children’s development and encouraging positive feelings about their racial and cultural identity, as well as others’.  Working with youth makes it incumbent that educators are prepared to address issues of race whenever they surface such as in history or social studies lessons or when current events brings them forward such as events in our recent history.”

 

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