Tag Archives: CCLS

Identity Choice Novels & Playlist

Students are reading books with themes of identity as our last unit this school year. Student outcomes include

  • Recognize how people and characters define themselves as individuals through multiple complex factors, including culture, family, peers, and environment, and that defining oneself is a complex process
  • Read texts of various lengths to analyze content and structure, and cite evidence
  • Respond to texts (orally and in writing) coherently and thoughtfully
  • Develop and support claims with textual information
  • Participate in small-group and whole-class discussions

Students selected from five (5) choice novels:

Piecing Me Together by Renee Watson – Newbery Honor

Acclaimed author Renee Watson offers a powerful story about a girl striving for success in a world that too often seems like it’s trying to break her. Jade believes she must get out of her poor neighborhood if she’s ever going to succeed. Her mother tells her to take advantage of every opportunity that comes her way, which Jade has. Every day she rides the bus away from her friends to the private school where she feels like an outsider. She’s tired of being singled out as someone who needs help or someone who people want to fix.

Holding Up the Universe by Jennifer Nevin

Libby and Jack get tangled up in a cruel high school game—which lands them in group counseling and community service—Libby and Jack are both angry, and then surprised. Because the more time they spend together, the less alone they feel.

Poet X by Elizabeth Acevedo – A National Book Award Winner. 

A young girl in Harlem discovers slam poetry as a way to understand her mother’s religion and her own relationship to the world.  Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. She has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy. (Some mature topics throughout the book.)

The Truth As Told by Mason Buttle by Leslie Connor – National Book Award Finalist

Mason Buttle is the biggest, sweatiest kid in his grade, and everyone knows he can barely read or write. Mason’s learning disabilities are compounded by grief. Fifteen months ago, Mason’s best friend, Benny Kilmartin, turned up dead in the Buttle family’s orchard.  An investigation drags on, and Mason, honest as the day is long, can’t understand why Lieutenant Baird won’t believe the story Mason has told about that day.

Everything Sad Is Untrue by Daniel Nayeri – 2021 Michael Printz Award

An autobiographical novel, middle-schooler Daniel, formerly Khosrou, tells his unimpressed and at times cruel classmates about his experience as an Iranian refugee.  Modeling his storytelling on Scheherazade and not beholden to a western mode, Daniel Nayeri writes a patchwork of memory and anecdote.  He layers stories upon stories to create a complex, hilarious, and devastating understanding of memory, family, and perspective. This book is a complex read due to the interweaving of stories in past and present and suggested for advanced readers. 

I created this identity playlist to help student meet learning targets and draw connections text to self, text to text, and text to world.

This is just a highlight of some of the slides. To get a copy of this playlist you can access HERE.

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Zooming In On Setting for Study of Author’s Craft and Some Creative Writing

Setting is an important part of any story because it explains where and when the events take place. The setting helps create the mood and set the tone for the literary piece. We often ask students to analyze the setting by examining the surrounding environment, background, historical place in time and geographic location and notice how the setting impacts the character and conflict in the story.

Studiobinder.com defines setting as, “A setting is the time and place of a story. Setting is either outwardly articulated to us, or discretely suggested to us. It can be suggested by weather, clothing, culture, buildings, etc. In screenwriting, setting is written into the slugline of a scene heading. But setting isn’t just the location of a scene, it’s the time in which it exists as well.”

My students will be starting our mystery unit and I want to help use more descriptive language so we will spend the next two weeks focusing on setting in film, stories, and their own writing. I have created this playlist to help students understand the depth of setting in literature.

Looking at excerpts from Maureen Johnson’s Truly Devious and Laura Ruby’s York students are able to see how authors communicate the setting by describing the environment and how characters interact within the environment.

This unit is an introduction to understanding author’s craft and structure.

Craft and Structure:

CCSS.ELA-LITERACY.RL.8.4
Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts.

CCSS.ELA-LITERACY.RL.8.5
Compare and contrast the structure of two or more texts and analyze how the differing structure of each text contributes to its meaning and style.

CCSS.ELA-LITERACY.RL.8.6
Analyze how differences in the points of view of the characters and the audience or reader (e.g., created through the use of dramatic irony) create such effects as suspense or humor.

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Tools to Help Students Question, Synthesize, and Process Reading

When students are reading for academic classes there is always a test, essay, or check for understanding to follow. Teachers want students to showcase what they read, understand, and learned.

Research shows that proficient readers utilize a note taking system to help track of the important aspects of the text, make connections, and synthesize the information gleaned. Yet, note taking is a skill that needs to be taught and many students are resistant because they believe it slows down their reading. Yet, if there will an essay or a test, taking notes during reading can be a beneficial learning tool.

As a middle school English Language Arts teacher, I intentionally teach my students different note taking strategies throughout the year to help they try out and find the reading and study strategies that will help them be successful in high school and college. I do not teach the different note taking strategies all at once but with each reading unit we try out a strategy and then reflect on how well it worked for the student and whether they would use it again. This practice and reflection allows students to be more metacognitive about their own learning and how they learn best.

Here are the strategies we have been working on.

Post It Response Notes

Sticky notes help mark sports in the text is one strategy that helps students code the text and record mental responses to the reading. Students might use the sticky notes to flag important passages, noticing aspects of the topic or themes, ask questions, or mark confusion. Students might even color code the notes to distinguish between the different type of notes recorded. These post it notes are great to place right on the page that incites a response and if you need to assess this work, students might transfer each sticky note on a separate piece of paper with their name on it.

Bookmark Strategy

By folding a piece of paper in thirds, each student makes a book mark for keeping their place in the reading. On the bookmark, students write briefly about the key concepts of the information as they encounter them in the reading. This strategy is from Harvey Daniels and Steven Zemelman’s Subjects Matter (Heinemann, 2004). Students might record their connections, questions, visualizations, inferring, and summarizing. The Bookmark can be used for class discussions and recall during writing assignments.

Rather than provide students with a blank bookmark, I have scaffolded their reading and thinking about an all class read of Animal Farm for students to try out this strategy.

Front Side Animal Farm Bookmark Strategy

Double Entry Journals

Also called the Cornell Notes System, with a double entry journal students take notes on their readings in two columns with a line drawn vertically down the middle of each page. In one column, readers summarize important ideas from the text. In the other column students write their own thoughts and responses – questions, confusions, personal reactions, or reflections on what the information means. The double entry journals are more continuous and self directed as compared to sticky notes and the book mark strategy. Give students opportunities to practice this kind go thinking and note-taking with short pieces of text and then share the results in small groups or as a whole class.

Sketchnoting

Drawing simple pictures, icons, or diagrams can help students conceptualize ideas from their reading. In this strategy students create a sequence of sketches to illustrate thoughts, steps, stages, key ideas, and central themes in the reading. We don’t all think the same and some students are visual learners, drawings are powerful because it helps students visualize their thinking and understanding.

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Integrated Thematic Hyperdocs

Integrated Thematic Instruction offers students a chance to learn in an environment where lessons in all subjects are woven around compelling themes that are expanded and explored throughout the year. This method of learning helps students connect lessons to real-life experiences. For students to be fully engaged, the content must have an application and be meaningful to their world. The standards are presented in theme-based units that allow for frequent connections.

I am currently teaching a college course titled Literacy in the Content Areas with pre-service teachers and current teachers from all different content areas. ALL content area teachers must play an active role in teaching students disciplinary literacy skills. The purpose of this course is to help teachers and teaching candidates learn how to integrate literacy (reading, writing, viewing, and communication) into content area classrooms so students can construct meaning in discipline-specific ways. Emphasis is on helping candidates acquire an integrated and balanced approach using literacy as a discipline-specific tool –  for supporting reading, writing, speaking and doing – as defined by the New York State Next Generation Learning Standards. 

Helping students to think about supporting students as writers, add history and bring in aspects of sports, I created this hyperdoc to help students learn about the segregated history of baseball and then make connections to athletes as social activists today. Below you can see the different aspects of the hyperdoc to allow for cognitive skills such as reading, thinking and writing in the context of real life connections that also allows for creative exploration.

Integrated thematic units can result in a lot of thoughtful conversations about the interconnectedness of the disciplines we teach.  There are so many reasons why using integrated thematic units can benefit your learners.

  • Helps students engage with the content being taught
  • Allows students to apply content throughout curricula
  • Learners are able to make connections
  • Draws from past experiences and prior knowledge
  • Develops vocabulary and comprehension skills

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Multigenre Projects

In my book New Realms for Writing (ISTE, 2019) I introduce a multi genre project my students create based on a World War II topic, research, and historical fiction.

As stated in the book, “Why just box students into writing one genre per unit? There are limitations to teaching narrative, informative, argumentative writing in isolation. Each genre has its strengths and drawbacks. In fact, when we read essays and articles these genres are often blended together.  If teachers allow students to show their understanding and knowledge of a topic with a variety of genres there is choice and creativity. This goes beyond just allowing students to choose the genre or format to showcase their understanding, what if students could blend genres in one assignment to produce a multi-genre piece.  In this chapter I introduce  the concept of multi genre writing: the ability to write in more than one genre to present understanding and build new knowledge.”

Multigenre Projects are not new, educator and author, Tom Romano describes in, Blending Genres Blending Styles (2000),  “In short, multigenre projects entail a series of generic documents that are linked by a central premise, theme, or goal. They may forward an argument, trace a history, or offer multiple interpretations of a text or event. They are rigorous forms of writing, involving all of the elements of a traditional research paper: research and citation, coherence and organization, purpose and aim of discourse, audience awareness, and conventional appropriateness.”

As an end of the year project I wanted to create a multi genre project where my students were at the forefront. Since we just finished reading books and discussing themes of identity, I adapted a project I found online that focuses on our stories and identities. Students were to create multigenre project as a means of reflecting upon middle school and how that has shaped us into who we are today.

Here are the specifics: 

  • A title page with a creative title.
  • An introduction serving as a guide to readers.  This will introduce the event you’re reflecting upon and help us understand why this topic is important to you.  Likewise, it gives you an opportunity to explain how we should read your documents.  This should be ½ to 1 page long.
  • Three (3) separate documents from three (3) different genre categories:
    • The  Narrative Writing Category
    • The Persuasive Writing Category
    • The  Informational Writing Category
    • The Poetry Category
    • Visual Artistic Category

*You can add a fourth category and document for extra credit

  • An artist statement paragraph for each document at the end of your project answering the following questions in complete sentences:
    • What is the message of this document? 
    • Why did you pick this genre for this specific part of the story? 
    • How does this document show the larger theme of your story? 

At the end the year it is inspiring to see students write with gusto about topics related to friends, sports, uncertainty, grades, losing a loved one and procrastinating. One student even said to me that this was the best project they have worked on so far — that is something you do not hear often when it comes to a writing assignments.

As for the different writing examples within the genre categories, students had lots of choices.

As these final projects are turned in, I cannot wait to share some of the highlights.

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Is All Evidence Equal: Weighing Textual Evidence

This week I gave my students a short response prompt based on the propaganda presented in their dystopian texts. Students are reading Animal Farm, The Giver and Unwind. The prompt was as follows:

A variety of propaganda techniques are used throughout the fable in small and incremental measures to confuse, influence, and keep the other animals on the farm under control, as well as to make outsiders think that Animal Farm was successful.

There are six types of propaganda that are commonly recognized: 1) Bandwagon, 2) Scapegoating, 3) Unapproved Assertions, 4) Slogans, and 5) Fear.

Which type of propaganda did those in control use to their advantage most effectively?

Why did that type of propaganda work so well on the members of the community?

In your short response be sure to identify the type of propaganda used effectively with two or more examples textual support. Also include why this type of propaganda worked so well on the others.

Whereas my students know to include direct textual evidence in their writing, the question remains: Is the evidence students are selecting the strongest evidence to support their claim? 

This year I am requiring students to organize textual evidence using graphic organizers I create to use in tandem with the foldables that go in their Interactive English Notebooks. But is not just about students mastering the ability to pull any evidence from the text, it is necessary  students also weigh and debate the evidence selected so that it is the strongest in supporting their claims.

Sonja Cherry-Paul and Dana Johansen address this same topic in their book Teaching Interpretation Using Text-Based Evidence to Construct Meaning (Heinemann, 2014).

small-group-work-rank-the-evidence-presented-in-the-envelopes-which-is-the-strongest-evidence-and-why-be-prepared-to-defend-your-answers

Based on the ideas presented in their text, I have created a foldable for my students to remember that not all evidence is equal. To reiterate this idea about evidence, I have taken various quotes about fear from each of the three dystopian texts for students to work in small groups and rank the evidence for use in the short response prompt above: Which is the strongest evidence? Why? Which is the weakest evidence? Why? What makes the strongest evidence the strongest? What makes the weakest evidence the weakest? Which evidence tells? Which evidence shows?

 

 

 

 

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Interview with Shawn Young, CEO Classcraft Games

During a week long trip with my family to Quebec this past week, I was able to meet up with Shawn Young, CEO and Co-Founder of Classcraft Games in Sherbrooke, Canada.

Shawn’s insight into gamification in education helps inform my classroom practices and use of games with my students. As I continue to plan for this upcoming school year, I share the the knowledge Shawn divulged about technology, building (life long) skills, and the future of gamification in education.

classcraft

Michele: What does gamification mean to you?

Shawn: Gamification has become a bit of an umbrella term in the last few years – people apply the term to anything where you can gain points or badges. Not surprisingly, seeing gamification  from this lens leads to experiences which can feel stale, boring or lack meaning.

For me, gamification is much more than that. In fact, I prefer the term ludicization : “To create a situation from which play can emerge”. In this sense, gamification becomes the art of crafting experiences in which many of the components of games can be applied (autonomy, competency, social relationships, randomness, feedback, etc.) to create a state of playfulness. Using these components leads to genuine fun (with a purpose) from which intrinsic motivations can stem. Simply put, good gamification is applying extrinsic motivators that will be internalized to produce intrinsic motivation.

Michele: As a former teacher, what do you see as the benefits of gamification for teachers and students?

Shawn: This depends on the approach, really. With Classcraft, we help teachers gamify the experience of coming to school, rather than gamifying content, like you would see with math or language games. From that perspective, the benefits on classroom culture are huge: students are taking ownership of the way the classroom is run and are significantly more engaged, even with the rote day-to-day tasks that occur naturally from class life. The game is very collaborative, so they gain a team that’s looking out for them and face challenges together. They also get much more positive reinforcement than they are used to, which has a big impact on their perception of self-worth. Obviously, this is great for teachers, who feel like they are working with students, not against them.

Michele: How did you first get involved in gaming for education? When and how did Classcraft come to fruition?

Shawn: Classcraft stemmed out of my own unique background as grade 11 physics teacher, web developer and gamer. I have been playing board games and video games since I was kid and that continued on into my adult life. As an educator, I was able to relate culturally with my students – indeed, we were playing the same games! I had a poor school experience growing up, often feeling like I was wasting my time, so my main focus as a teacher was making sure that coming to school was pertinent for students and that they felt that it was.

It dawned on me that the experience of coming to school would be much more satisfying if it was like an RPG, so I made a quick prototype and started playing with my students. I fine-tuned the game over the course of 3 years before making a little website to share with other teachers what I was doing. Overnight, the website attracted 150 000 visits – seems like a lot of other people were interested in doing the same! I then teamed up with my brother, Devin, who is a designer, and our father Lauren, who has 35 years experience in business and accounting, and Classcraft was born. Since then, the platform has evolved tremendously!

Michele: What are the elements from (classic) video games that can benefit teachers and students for gamification purposes?

Shawn: When thinking of this question, people tend to look for tropes – ”Should I use XP + levels?” “Do students need an avatar?” or “Should I lay this out on a map?” are typical questions that come up from these types of questions. At Classcraft, our focus is more on the fundamental psychology of self -determination theory and how it applies to video games. There is a reason gamers are willing to spend hours repeating the same boring task to complete an objective, but aren’t willing to spend 5 minutes doing math homework: games fulfill 7 fundamental motivational needs (autonomy, competency, relationships, discovery, surprise, feedback, storytelling). These are the elements we lifted from games to design a playful experience and they are outlined on our blog.  

 

Michele: What life skills and Common Core Standards does Classcraft and gamification address?

Shawn: Classcraft is very customizable: it can be used to develop any “soft”-skills by identifying behaviors that show mastery and giving points for that. For example, if you want to develop grit in your students, you’ll identify behaviors that are indicative of grit, like persevering in the face of adversity, and give students points for those behaviors, thus encouraging explicitly to internalize them. Because all of these behaviors are logged in the game, you’ll be able to assess development of these skills by looking at the per-student behavior analytics in the platform. That being said, Classcraft explicitly foster meaningful teamwork, ownership of learning, prosocial skills and perseverance. In terms of CCS, Classcraft doesn’t gamify curriculum, it gamifies the experience.

Michele: You have said that “when playing video games, kids feel a sense of empowerment.” Can you talk more about this. What do you mean?

Shawn: In a video game, the player inherently knows that they can succeed. Even in the face of the most difficult challenges, they can try as often as they like and develop their skill. Often times, they can tackle problems in several ways and make meaningful choices about their trajectory within the game. All of this leads to a sense that the player can shape their destiny and build mastery for success.

Compare this to the school experience: kids often have only one set way to complete their journey through a course and only get one chance to demonstrate mastery of given piece of content.  It doesn’t feel very empowering.

Michele: As the Gamemaster for Classcraft, what are you dreaming up and working on now for teachers to benefit from you gaming platform?

Shawn: We’ve got a lot of things coming 🙂 One thing we’re focused on is integrating with more platforms and partners. We’re already integrated with Google Classroom and Microsoft’s Office 365 and we want to create more opportunities for teachers to be able to gamify the entire student experience, no matter which platforms and tools they are using. We are also looking at building more game features, like self-correcting quizzes students can complete for XP and storylines they can play out throughout the year.

Michele: What has the best thing about creating Classcraft and sharing it with teachers all around the world?

Shawn: This may sound hokey, but it’s been really great for everyone on the team to see the profound positive impact we have had on teachers, students and parents. Every day, we receive videos, pictures and testimonials from people using Classcraft telling us how it has changed their lives for the better. From the shy fifth-grader who wrote us to tell she had finally been able to make friends because of Classcraft, to the burned out teacher who has found the love of teaching again, to the parent who is raving about how motivated their child is, all of these testimonials act as fuel to keep us imagining new ways to make the classroom a better place.

Michele: Since gaming and gamification is continuously evolving, where do you see it going? What do you see as the future of gamification for educational purposes in the next year, 5 years, and even 10 years from now?

Shawn: Who knows!? 🙂 It’s definitely an exciting time for the field. Tech is changing faster than we can anticipate and opportunities like VR and augmented reality will definitely have an impact on the field. I’m certain we’ll see it become much more prevalent than it is now, as educators see success stories and jump on board.

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Qualities of Great Speakers: Building Student Speaking Skills

What are the qualities of a great speaker?

Who are the great speakers we can model?

If you mentioned Martin Luther King, Jr., what makes his a historic speaker? What are the qualities that he exudes in his speech writing and public speaking? What are some of the aspects of his public speaking we want our students to model?

What were the words or phrases that stuck with you throughout the speech?

How does King use his voice and body language to captivate his audience?

How does MLK utilize repetition in his speech to leave an impression on the listener?

What other “moves” does MLK use in his speech to make a lasting impression on his listeners?

Check out a list of Rhetorical Devices and Strategies that King uses throughout his speech.

Now, let’s look at John F. Kennedy’s Inauguration Speech in January 1961.

Whereas MLK wrote his own speeches, JFK wrote his speech with the help of his speech writer, Ted Sorenson. The phrase, “Ask not what your country can do for you; but what you can do for your country” was taken from JFK’s headmaster at Choate School when he was a student. He headmaster was known to say, “Ask not what your school can do for your; but what you can do for your school.”

What public speaking skills does JFK bring to the conversation?

How are JFK and MLK similar and different at orators?

The majority of famous speakers today draw inspiration and borrow devices from great public speakers of the past like Martin Luther King and John F. Kennedy.

The voice is unique in its ability to communicate. There is no one good speaking voice, but most audiences agree that a pleasant, expressive voice has certain pleasing qualities. A good speaking voice is not born, but developed through training and practice. Through proper use of breathing, resonance, articulation, and pitch we can communicate more effectively.

Your voice and the way that you speak says a lot about you.

Your voice is your most influential tool in a speech situation.

Similar to reading, students are expected to learn public speaking in secondary school. But many of our students are not comfortable speaking in front of the whole class and do not understand that listening requires a person to give their undivided attention to the speaker (eye contact, body at rest, mouth closed, all distractions put away).  Many of us will teach or are already teaching ELL students or students with limited English speaking skills along with student who are proficient speakers. How do we support all of our students as public speakers? 

Speaking and Listening is part of the Common Core and starting by the first grade, “students are expected to know and be able to do the following during small- and whole-group discussions: follow participation rules, build on others’ comments, and ask clarifying questions.” By middle and high school the conversations and group work is more demanding. Speaking and listening must go beyond the “turn and talk” or “think pair share” opportunities we offer students during class activities. Students must also be able to present information to small groups and large audiences. Students can utilize technology and podcast or video their presentations too.

 What are creative ways that you can have students practice speaking and build their communication skills?  

Our job is to excite students about the world, to help them see the role that they can play in making society a better place, to express their ideas powerfully, to see that our content area is about real world problems, issues, and possible solutions. Our content areas should show students the world, not just tell them about it. Our curriculum needs to include role plays, simulations, debates, formal speeches, and demonstrations. Screen-casts, podcasts, and video projects are all great venues that allow students to utilize speaking and listening skills.

 

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Speak Up: 12 Informative Speech Ideas to Promote Speaking and Listening in the Classroom

Speaking and Listening is part of the Common Core and starting by the first grade, “students are expected to know and be able to do the following during small- and whole-group discussions: follow participation rules, build on others’ comments, and ask clarifying questions.” By middle and high school the conversations and group work is more demanding. Speaking and listening must go beyond the “turn and talk” or “think pair share” opportunities we offer students during class activities. Students must also be able to present information to small groups and large audiences. Students can utilize technology and podcast or video their presentations too.

CCSS.ELA-LITERACY.SL.8.4

Present claims and findings, emphasizing salient points in a focused, coherent manner with relevant evidence, sound valid reasoning, and well-chosen details; use appropriate eye contact, adequate volume, and clear pronunciation.

CCSS.ELA-LITERACY.SL.8.5

Integrate multimedia and visual displays into presentations to clarify information, strengthen claims and evidence, and add interest.

CCSS.ELA-LITERACY.SL.8.6

Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.

http://www.corestandards.org/ELA-Literacy/SL/8/

One of my most popular blog posts is 50 persuasive speech and debate topics. I wanted to come back to this topic of speech and debate topics to catalogue informative speech topics that students can complete to practice speaking and build their communication skills.  Below are 12 different informative speech topics that creatively tap into research, writing, speaking and listening skills.

  1. The Letter Lecture – Students take turns “lecturing” to the class by reciting the alphabet or counting to fifty. Without having to think about what you are saying, you can concentrate on making eye contact, gesturing for emphasis, and other elements of great speakers. When lecturing students can put inflection on the letters or numbers as though they are really saying something, and meeting each classmate’s eyes at least once. This activity is more to help students understand inflection, emphasis, tone and volume, rather than focusing on a specific topic.
  2. Create an Imaginary or Mythical Creature – Describe the following: What does it look like (size, fur, scales, nose, claws, color, tail)? Is it a mammal, reptile, amphibian, marsupial, alien? What does it eat? What eats it? Why kind of habitat does it live in? Does it make a sound? What survival characteristics does it have (flies, swaims, runs, digs, camouflages, flights)? Present an informative speech on the creature.
  3. Splendorous Persons Award – We have all seen the award shows —  VMAs, the Oscars, the Tony’s, the Emmys, and the Grammys — the award shows that celebrate and highlight people’s achievements. Find someone in class and interview them in order to find out what makes them so splendorous – ask them about their achievements, strengths, and what makes them unique, why they deserve this award. Write a short speech to introduce and present the award (think lifetime achievement awards) to the recipient. As the recipient, you also need to come up with your thank you speech. Who are you going to thank and why? What lasting words do you want to leave your audience with?
  4. Personal Icon Presentation – Students are to build a visual representation of themselves (a personal icon). Students can use their icons to share as much or as little about themselves they are comfortable with using any objects, scale models, photos, memorabilia, drawings, jewelry, cut-outs, or collections that they choose (Do not include names or photographs that would identify you to the rest of the class.) This can be a collage, a grouping of found objects, a piece of artwork, your imagination is limitless. Concentrate on the overall message about yourself that you would like to communicate through the choice of symbols.
  5. “I Have a Dream” Speech – In honor of Martin Luther King, Jr. students come up with a topic for their own “I have a dream” speech. In the speech students can talk about a dream for yourself and/or the country. The dream can range from the simple to the grand. The speech should include what the dream in, why it is important to them personally, and one thing they can do to accomplish the dream.
  6. Speech of Introductions – Begin by identifying a major, defining characteristic of “you,” a personality characteristic or a value which you believe in very strongly. Then, write a “personal statement,” a statement that defines the essence or a defining characteristic of you. The personal statement must be a positive statement about yourself; it cannot include negative words. Your personal statement will serve as the central idea of your speech. Develop one or two examples to illustrate what you mean and how this is true. Make yourself and your speech interesting by beginning with a question or anecdote. Provide an initial summary of the three or four defining characteristics you have selected to communicate about yourself. Discuss each of the three or four characteristics, offering examples or explanation to illustrate why your characterization is appropriate. Conclude by summarizing the three characteristics.
  7. Best Selling Authors – Ask students to speak clearly and forcefully by organizing thoughts and using their imagination to create a believable monologue. Act as an expert author on one of these subjects: Alternative Housing: Living in Tree Houses, 1,000 Useful Items Made from Spaghetti, Alternative Transportation: Roman chariots and horses, The Joy of Being Invisible: A pill that works, Changing Lifestyles: Rent a Mom or Dad.
  8. Teacher Travel Agency – You have just been hired by the Teacher Travel Agency as a travel agent. It is your job to present an informative speech on a specific travel destination to the rest of the class. The goal is to inform future travelers about this destination and why it is worthwhile for them to visit. Remember to include information that will be helpful to prospective travelers: weather conditions in the country, passport regulations, interesting tourist attractions, things to do there, places to stay, and additional information that is necessary for planning a wonderful excursion.
  9. Legends – A legend is a person, group, movement, or event which has influenced the way we think, the way we perceive our world. It may reinforce values we already hold or it may force us to reexamine our current values and establish new values. For this speech, students will inform the audience about a legend that has significantly influenced our world and or community. Thus, the legend might be a person, group, movement or event which has influenced the fields of Education, Business, Science, Art or Music. Or the legend might be a person, group, movement or event which has influenced American culture – Barack Obama to Jimi Hendrix, MTV to Google, Hillary Clinton to Madonna. The goal is not to outline the life of a person, group, movement, or event – the goal is to tell the audience how the legend changed things forever.
  10. Willy Wonka – You have invented a new candy. A meeting has been arranged with the president of Nestle Candy Company, the largest candy company in the world. At the meeting you will have a chance to inform the corporate executives of your candy invention. Write an informative speech to present to the president of Nestle about your candy invention.
  11. News Reporting – This assignment gives students the opportunity to see what it would be like to work as a member of a news team. Students choose a popular topic today and prepare a news report based on research and interviews.
  12. The Pet Peeve Speech – Express your frustration and anger about something that upsets you – a pet peeve. For example, a person who constantly interrupts or someone who is always on their cell phone. Voice your anger and illustrate what about the occurrence gets you so upset. What can people do to stop this annoying habit?

Have additional speech ideas? Please share in the Comments section below.

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Close Reading Lessons Learned From Star Wars & Game of Thrones Diehards

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Images from http://blastmagazine.com/wp-content/uploads/2016/01/star-wars-1.jpg

My colleague has seen Star Wars: The Force Awakens four times over the past three weeks since opening night. During our daily lunch duty we have been talking about our interpretations and thoughts on the movie. Intrigued by his diehard interest in seeing the movie four times, I asked him what he looks for with each viewing. Here is what he told me:

First Viewing – Get the Gist of the Story, Make Connections, Ask Questions

Second Viewing – Dig Deeper, Make Inferences and Predictions

Third Viewing – Pay attention to Editing, Color, Symbolism, Foreshadowing

Fourth Viewing – Listen closely to music for more symbolism, foreshadowing, and confirm predictions for the next film.

The more he talked about his different viewings I realized I do the same thing with Game of Thrones. I watch the episode the night it first airs for understanding, making connections from previous episodes and the books, and posing questions. The next day I talk about my first viewing with all my colleagues, and then between the night the show airs and the next episode, I might watch again or even twice for a reread. In my second and third reading I pay closer attention to match on match edits, colors, and catching events and mannerisms I might have missed in the first read. I guess I can credit HBO with helping me to hone my close reading skills.

Close reading is a buzz word that has bombarded every English teacher since the introduction of the Common Core Learning Standards. The reality is that many Star Wars and Game of Thrones diehard fans are close reading experts who our students can model and mentor.

In Grant Wiggins’ blog post on close reading (May 17, 2013) he defines close reading as a “disciplined re-reading of inherently complex and worthy texts.” Wiggins goes on to includes Nancy Boyles’ definition, “Essentially, close reading means reading to uncover layers of meaning that lead to deep comprehension.” He includes a quote from Tim Shanahan why close reading is necessary, “Because challenging texts do not give up their meanings easily, it is essential that readers re-read such texts.”

So here ELA teachers are trying to get students to peel back to the layers of the texts utilized in classrooms and many students might already be doing this with their fan favorite texts whether it be The Regular Show on Cartoon Network or the entire Star Wars collection. We must tap into our student’s fan favorites and identify the close reading habits already mastered. Then, teachers can introduce additional thinking habits that will uncover new information, inspire the desire to learn more, and allow students to become Jedi Knights of interrogating texts.

 

 

 

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