Category Archives: Teaching Writing

Literacy in the Content Areas: Writing in Mathematics

Writing is a crucial component of learning mathematics. As an adjunct professor teaching literacy courses to graduate students earning their teaching certificates, our classes examine ways to incorporate reading, writing, communication, and critical thinking across disciplines for student success. This blog post is part of a series and I am first going to focus on writing in mathematics classes. It is not only important for students to understand the concepts in math, but also to communicate their understanding to others. Writing in math class can help students develop their mathematical thinking, problem-solving skills, and communication skills. In this blog post, we will explore six specific examples of how writing can be used effectively in math class.

  1. Math Journaling: Math journaling involves asking students to reflect on what they have learned in math class. This can include writing about the steps they took to solve a problem, the strategies they used, and the challenges they faced. By reflecting on their learning, students can identify areas where they need more practice and gain a deeper understanding of the concepts they are learning.
  2. Problem-Solving: Writing can also be used as a tool for problem-solving. When students are presented with a math problem, they can write out their thought process, including any assumptions they are making, the strategies they are using, and the steps they are taking to arrive at a solution. This helps students to organize their thinking and identify any errors or misconceptions they may have.
  3. Explanations: Writing can be used to explain mathematical concepts to others. Students can be asked to write about a particular concept or problem, explaining it in their own words. This not only helps them to solidify their own understanding, but also helps to develop their communication skills.
  4. Reflection: Reflection is an important part of the learning process. Writing can be used to help students reflect on their own learning. For example, students can be asked to write about what they found challenging in a particular lesson, what they learned, and how they can apply that learning in other contexts.
  5. Vocabulary: Mathematics has a unique vocabulary, and it can be challenging for students to learn and remember all of the terms. Writing can be used to reinforce the vocabulary by asking students to write about the meaning of particular terms or to use them in a sentence. This helps students to internalize the vocabulary and become more confident in their understanding of the concepts.
  6. Research: Mathematics is a dynamic field, and there are always new discoveries and advancements being made. Writing can be used to encourage students to research a particular topic or concept, and to share their findings with the class. This not only helps to deepen their own understanding of the topic, but also exposes them to new ideas and perspectives. In fact, back when I was in middle school I was assigned to read and write a report about women in mathematics. In the Literacy in Content Areas course I share the first chapter from Ian Stewart’s Letters to A Young Mathematician where he writes how math is in everything in our lives. What if students had to uncover the mathematics behind coding or engineering. Their research can make visible how math is all around us. Students can present their research in a formal writing assignment or even a video.
  7. Creative Writing: Mathematics can often be seen as a dry, technical subject. However, creative writing can be used to bring a sense of fun and creativity to math class. For example, students can be asked to write a short story or poem (try an ode to your favorite number) that involves mathematical concepts. This could include a story about a group of friends who use their knowledge of fractions to divide a pizza, or a poem that explores the beauty of geometry. By engaging in creative writing, students can approach math from a different angle and develop a deeper appreciation for the subject. Additionally, it allows students to express their creativity and individuality, making math class a more enjoyable and inclusive experience for all. There are great stories in include with the creative writing from reading aloud the picture book Numbers in Motion about Sophie Kowalevski’s journey as the first woman to receive a doctorate in mathematics, which required original research, holding a university chair in mathematics, and becoming the editor of a major scientific journal. Additionally, Kathryn Otoshi’s picture books Zero, One and Two all personify the numbers and tell memorable stories about feelings, friendships, and counting.

Writing is an essential tool for learning mathematics. It can help students to reflect on their learning, develop their problem-solving skills, and communicate their understanding to others. By incorporating writing into math class, educators can help students to develop a deeper understanding of the concepts they are learning and prepare them for success in future mathematical endeavors.

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The Power of Questions

This past Friday I attended a workshop with the educational consultant, Diane Cunningham. I have attended a few of her workshops and classes over the past few years and always walk away with valuable information. This session was on supporting student questioning. We explored four different questioning strategies.

Questioning is important in the classroom because we want students to ask questions and have their questions drive learning because questioning is a key skill of critical thinkers and promotes ownership and engagement.

When I am teaching both middle school and on a college level I might share a video for students to view and discuss. I have students create a chart in their ELA Notebooks or give them an organizer that requires them to jot down what they see, what they think, what they wonder. This strategy is great to use with images, videos, and even primary sources or text.

This thinking routine is from Project Zero (Harvard Education) and encourages students to make careful observation, stimulate curiosity, and set the stage for learning or inquiry.

Another questioning strategy that I use often is QFT from The Right Question Institute. The QFT process requires students to produce as many questions as possible in a specific amount of time about a quote, image, statement or problem. Back in 2018 I wrote a blog post about the QFT method titled, “THE ONE WHO FORMULATES THE QUESTIONS OWNS THE LEARNING.” The cofounder of the Right Question Institute, Dan Rothstein argues, “The rigorous process of learning to develop and ask questions offers students the invaluable opportunity to become independent thinkers and self-directed learners.”

Rothstein and Santana have their own Question Formulation Technique (QFT) –  four rules for producing questions:

  1. Ask as many questions as you can.
  2. Do not stop to judge, discuss, edit, or answer any question.
  3. Write down every question exactly as it was asked.
  4. Change any statements into questions.

Not only is this a great strategy for students to showcase their wonderings, but it can lead to a discussion about Convergent Questions and Divergent Questions. Convergent questions focus on a correct response whereas divergent questions allow for more than one plausible and reasonable answers.

Questions have been the subject of hundreds of studies, as this Edutopia article refers to Kathleen Cotton’s research. Here are some of her most insightful takeaways in this short quiz:

  1. Which is more effective for fostering learning?

A) Oral questions posed during classroom recitation

B) Written questions

  1. Posing questions before a reading should be done with students who are:

A) Older/better readers

B) Younger/struggling readers

  1. Increasing the use of higher-order questions to _____ percent improves student-to-student interactions, speculative thinking, length of student responses, and relevant questions posed by learners.
  1. Should wait time differ when asking lower- vs. higher-order questions?
ANSWERS Answer 1: A, oral questions Answer 2: A, because young/struggling readers often read only the parts of the text that help them answer the questions. Answer 3: 50 percent. Answer 4: Yes. Wait time should be about three seconds for lower-order questions, and longer for higher-order questions.

When students are working in book clubs or literature circles I aways assign a different discussion director for each meeting. The role of the discussion director is to create questions around the big ideas or themes in the reading to help initiate a lively discussion about the text. Again, students are in charge of creating their own questions and sharing their thoughts, ideas, insights, and wonderings.

The one questioning strategy that was new to me was the question matrix designed by Andy Milne. Students are provided with the question matrix and an image, text, video, even an infographic and have to brainstorm the different questions using the stems on the question matrix. Diane had a poster size of the question matrix on the wall for students to add sticky notes with the question stems based on images viewed.

Cornell University’s Center for Teaching Innovation states, “Questions stimulate discussion and creative and critical thinking, as well as determine how students are thinking. Questions help students retain material by putting into words otherwise unarticulated thoughts.”

  • Questions can diagnose student understanding of material.
  • Questions are a way of engaging with students to keep their attention and to reinforce their participation.
  • Questions can review, restate, emphasize, and/or summarize what is important.
  • Questions stimulate discussion and creative and critical thinking, as well as determine how students are thinking.
  • Questions help students retain material by putting into words otherwise unarticulated thoughts.
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Who Said It: A Carousel for the Classroom

It was a few years back when I came across an image on social media with quotes from Shakespeare and Hip Hop. Then I found one that was Batman or Shakespeare. Recently @mrsorman posted Green Day or Whitman? I love these quotes for a classroom activity. My students are kicking off a mystery unit and I have immersed them in video and print texts of iconic murder mysteries. I thought Agatha Christie or Wednesday Addams would be perfect to use as a hook for this unit.

Whether you make your own (I use @Canva’s carousel templates) or purchase another teachers, you can use these in many different ways to engage active learning and critical thinking skills. Here are five ways to incorporate Who Said It? in your classroom this week:

  1. Gallery Walk – Post the quotes around the room and have students walk around viewing and recording their answers. This technique allows students to be actively engaged as they walk throughout the classroom. Students can work together in small groups to share ideas and respond to the quotes or work independently and they provide evidence to support their answers.
  2. Bulletin Board – Looking for a low stakes activity but visual eye candy for your classroom wall? Post all the quotes on a bulletin board and you might even post the answers underneath for students to check their guesses.
  3. Station Rotation – This can be one of your stations or learning activities that students rotate through. Kick it up a notch as a hot potato game and use that plush hot potato. First, all members of this station sit in a circle. Then, squeeze the Hot Potato to start the music and pass the spud to the player next to you or even across from you. Toss the tater back and forth, up high, down low, around and around. When the music stops the person holding the potato takes a quote from the jar, reads it aloud and then provides an answer aloud. Play a few rounds to have other group members answer additional questions in the jar.

4. Online Game – Choose an on line game platform like Booklet, Kahoot, Quizlet Live, or Quizizz to test your students literary knowledge. This can be played as a hook or bell ringer to start class or use as a wrap up after discussing elements of mystery.

5. Silent Debate – To help students practice argumentative writing, students can select a quote or randomly choose a quote and then have to defend their answer by writing a short response with two pieces of evidence to support their claims.

If you would like a copy of this Who Said It deck, please email me. There are about twenty quotes in total.

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The Benefits of ChatGPT

The follow post is part of a discussion forthcoming in Dystinct Magazine

When rock and roll music made its debut there was hysteria that it would corrupt youth. Television was first thought to rot the minds of its viewers. In 1981 when MTV hit the airwaves there was the same debate over a 24 hour video music channel. If we look throughout history of the inventions that pivot our civilization there has always been some hysteria and backlash. The same skepticism goes for social media apps today.

ChatGPT is no different. In fact, when I was scrolling through social media I stopped to see a post by a edu-influencer state that “ChatGPT is a threat to  teachers and the notion of school.”  But before we go down the road how this might be a detriment to education, let’s look at some positives and how educators and parents might use this assistive technology to become better writers and critical thinkers. 

ChatGPT is AI (artificial intelligence) that allows its users to generate text based on any topic and voice or style requested. Whereas this might sound like an amazing invention (it is!), there are also some flaws in the program. For example, the information that ChatGPT produces might not be accurate and that is where users need to be critical of the information produced and check over the facts. Here are three ways students and educators might consider utilizing this assistive technology to be successful readers and writers. 

For a student with dyslexia or other learning differences, ChatGPT can be used to assist its users with outlining a long writing assignment or essay. Then, once an outline is formed from the program the students can use their knowledge and research to expand their writing and complete the assignments using the ChatGPT as for sentence starters and essay organizer.  The key here is building on and making better what was produced. 

Teachers might create an essay in front of students using ChatGPT. Then,  students can analyze the strengths and weaknesses of the writing produced. Is the piece accurate? Does the writing contain  the elements of a great essay? What is missing? What can be added to improve the writing? How does the voice of the essay sound, artificial or human?  Students might even give the essay a grade. 

Need a study buddy before a big test or exam? Both teachers and students can use ChatGPT to create review questions. ChatGPT can even make a sample test if you ask it and it is a great way to practice and study to ace the test. 

The possibilities are endless and consider ChatGPT to help assist its users in leveling up their written communication skills and savvy consumers of information. 

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Going Vertical in ELA

I am currently reading Peter Liljedahl’s Building Thinking Classrooms in Mathematics: 14 Teaching Practices for Enhancing Learning (Corwin, 2021) after three recommendations. The book organizes “each chapter by exploreing one of the 14 optimal practices, beginning with a deep dive into what are the institutionally normative practices that permeate many classrooms around the world. It reveals how each of these practices is working against our efforts to get students to think, and then it offers a clear presentation of what the research revealed to be the optimal practice for each variable, unpacking it into macro- and micro- practices. These descriptions are punctuated by excerpts from the data, anecdotes from teachers, photographs from real K–12 classrooms, and responses to frequently asked questions (FAQ).” Each chapter provides micro and macro moves that I have been considering and implementing into my classroom. The first thing that I did was to decenter my classroom and randomize the seating daily. Every day, students sit with different classmates. Desks are arranged in pods of three. This has been the first game changer since there is no front of the classroom anymore and I am teaching from every direction. Secondly, I have no complaints about seating or collaboration.

The next pivot I made in my classroom was teaching vertically. Liljedahl states in the book, “One of the most enduring institutional norms that exists in mathematics classrooms is students sitting at their desks (or tables) and writing in their notebooks. This turned out to be the workspace least conducive to thinking. What emerged as optimal was to have the students standing and working on vertical non- permanent surfaces (VNPSs) such as whiteboards, blackboards, or windows. It did not matter what the surface was, as long as it was vertical and erasable (non-permanent). The fact that it was non-permanent promoted more risk taking, and the fact that it was vertical prevented students from disengaging. Taken together, having students work, in their random groups, on VNPSs had a massive impact on transforming previously passive learning spaces into active thinking spaces where students think, and keep thinking, for upwards of 60 minutes.” This means that the more time students are able to stand, think, and actively engage with the material the better.

How does this translate in the ELA classroom when students are reading, writing, thinking, speaking and listening versus completing math problems? Here are four different ways to shift learning vertical that I have been utilizing to optimize learning.

Gallery Walk – This discussion technique allows students to be actively engaged as they walk throughout the classroom. They work together in small groups to share ideas and respond to meaningful questions, documents, images, problem-solving situations or texts. Use a Gallery Walk at any point in the lesson to engage students in conversation, I tend to use them at the beginning of a lesson to showcase and examine mentor texts and model writing/reading passages. Teacher can also use gallery walks after reading a text to discuss ideas, themes, and characters. Gallery walks can be text based on visual texts.

Grafitti – Similar to a gallery walk, items are posted around the room: images, questions, ideas, concepts, or scenarios. Large sheets of paper or chart paper are placed on the walls of the classroom. Students write their responses, draw pictures and record their thoughts on the given topic on the graffiti wall. Students are encouraged to use colored markers to make the wall interesting and to identify each student’s work/response.

Use a Gallery Walk and the Graffiti format for students to get feedback on their work.  Hang student products, such as drawings, visual representations, poster projects, and or one pagers. Students, individually or in groups, rotate around the room and provide feedback to the creator of the work. Students are required to record one thing they like about the work displayed, one thing they wonder about it, and one thing the creator could do next or improve.

Four Corners – Students are presented with a controversial statement or are asked a question. In each of the four corners of the classroom, an opinion or response is posted. Students express their opinion or response by standing in front of one of four statements, and then talking to others about why they have chosen their corner. Four Corners promotes listening, verbal communication, critical thinking, and decision-making.

Question Trails – My reading specialist and colleague introduced me to these on your feet activities last year and I am obsessed. A question trail is an engaging activity that allows students to move around the classroom and complete different tasks. Students follow the “trail” of multiple-choice questions that will show what they have learned from unit of study, a text, or reading. Question trails can be collaborative or individual. It is really up to you the teacher to make that choice. The basic premise of the question trail is for students to understand the material the teacher has provided. The students answer a series of multiple-choice questions. If the questions on the trail are answered correctly, students will be prompted to move to the next question. If students answer a question incorrectly, they will end up at a question they have already answered which means they will need to backtrack to see where they made an error. They will need to determine where they went wrong. To learn how to make your own question trail you can visit Creative ALS Teaching.

Tomorrow when my students walk into the classroom we will begin class with a gallery walk of questions about feedback for them to read and respond to on big chart paper. Then students will watch Austin’s Butterfly and take notes about what effective feedback is and is not. We will discuss as a whole class what good feedback look and sounds like before we meet with writing partners to get feedback on the writing we are working on. There are a few teaching moves that I am implementing from Thinking Classrooms to allow students to actively engage in the lesson and use their mind for thinking deeply.

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Teaching Point of View with Diane Arbus

Point of View is the standpoint from which a story is told. First Person is told from the view point of one of the characters using the pronouns “I” and “We.” Third person limited the narrator is an outside observer that focuses on the thoughts and feelings of only one character. Third person omniscient the narrators an outside observer who can tell us the thoughts and feelings of all the characters in a story. Third person objective the narrator reports the facts of a narrator as a seemingly neutral and impersonal outside observer.

I want students to be able to identify and write with different points of view. After a short mini lesson on point of view I give students a photography from Diane Arbus. Diane Arbus was an American photographer from the 1960s. She photographed a wide range of subjects including in New York City including, carnival performers, people with dwarfism, children, mothers, couples, elderly people, and middle-class families.  “A photograph is a secret about a secret. The more it tells you the less you know,” she once mused.

Students look at the pictures and select one to write a narrative based on the point of view selected. You can make a copy of the activity here.

Another way to teach point of view is to view this short film “plastic bag” (2010) by Ramin Bahrani.

Follow up with these questions:

  • Who is telling the story?
  • How do they see the world?
  • How is it different than how you see the world? How is it the same?
  • Why does the filmmaker chose to tell the story this way?
  • How does the filmmaker see the world?
  • What message is being communicated?

A longer point of view activity might be to have students imagine they are a plastic bottle being thrown away in the trash instead of being recycled. Maybe you are a candy wrapper tossed in the hallway, a textbook full of scribbles or a library that can’t stand noisy kids.

  • Create a story from the point of view of an object in your school that has a problem.
  • Get into a group of 4-5 other students and brainstorm issues in your school. Choose one and develop a stance or viewpoint you want to take. What is the issue and how do you want to help.
  • What object could help tell your story. What is the problem the object has? How can it be fixed? Perhaps you want to create a slogan or tagline to make other students aware of the problem and how they can help.
  • Create a storyboard to communicate your message through actions and images. Who has the problem, how do they try and solve it? How can others help?

If students are reading a book they might use this point of view checklist to help identify and analyze the point of view the text is written in.

What point of view is your text written from? Use examples from the text to support your answer.

How would the text change if it was written from a different point of view?

Whose viewpoint is missing from the text? What effect does that have on the text?

Create a journal entry for one day from the main character’s point of view. What information will you choose to include?

What can you infer about the author’s interest or attitude towards the topic in the text you read?

If the text was rewritten to be a news article, what details would have to be taken out to make it unbiased?

Choose two quotes that show the author’s point of view.

Here is one more video to help teach point of view.

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Book Influencer Kit Summer Reading Assignment

Scrolling through social media I came across some posts where book influencers post images or video unboxing a publisher’s influencer kit. A book influencer is someone with more than 5,000 followers promoting books and reading. Publishing companies develop an influencer kit in order to market and promote a new book and title. An influencer kit includes a copy of the book, nicely designed press materials, and a few small gifts or products that complement the content of the book.

Oh, I would love to be unboxing some of these amazing publishing book kits!

The image above was posted by Abigail Owen on her website. The influencer book she showcases contained:

  • The custom box that matches the cover art and is a piece of art all by itself, inside & out
  • A custom temporary tattoo to match the cover, created by artist Amy Shane
  • A collapsable hand mirror that says “Born to Rule” on the back (the tagline)
  • A diamond art kit that is a skulls and flowers design
  • The book itself!

Inspired by the images, I designed this book influencer kit summer reading assignment for my students. Students will create their own influencers box based on their summer reading. For additional fun, you can have them create TikTok like videos unboxing and showcasing the influencers kit for others. The objective is for students to make the book’s content come to life. Students will have to think of creative ways to pull the book’s content off the pages and into something fun and tangible. 

  • Consider creating a print showcasing your favorite quote or phrase. 
  • Make the package personal by including a letter or handwritten note. 
  • Include products that will help a reader put the concepts in your book into practice. Maybe include bright glow in the dark stars if the protagonist is fascinated with the universe and the possibility of UFOs. Or atomic fireball candy if the book is Steve Sheinkin’s Bomb: The Race to Build and Steal the World’s Most Dangerous Weapon. Even simple items like themed socks, buttons, and stickers can add a little something extra to your package.
  • Design the box so that it is visually appealing. Choose colors and fonts that connect with the story.  

The influencer’s kit should contain 4-5 items including the book to market the book to other readers. 

I am so excited to see what my students put together.

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Enhancing Meaning Making with These 4 Graphic Organizers

I am a big proponent of graphic organizers to help students organize and visualize information. Graphic organizers are helpful to outline a writing task or showcase understanding during reading. Jay McTighe and Harvey Silver write in Teaching for Deeper Learning (ASCD, 2020), “The use of graphic organizers enhances meaning making and promotes deep understanding of critical content – especially when reinforced through questioning and summarizing.”

In 8th grade I begin the school year providing graphic organizers for all students to utilize and access to organize content information. I share and utilize different organizers with each assignment. Sometimes I might demonstrate filling out the organizer and use think aloud to show students the process of making meaning using graphic organizers. Slowly, using gradual release, I encourage students to create their own graphic organizers in the second semester of the school year. The first twenty weeks of school students have curated a toolkit of strategies and organizers for to choose which are the best to create based on the assignment and learning goals.

Here are four different organizers that are the go-tos for note making and organizing information.

  1. It Says, I Say, So What – Taken from Smoky Daniels, this three column organizer helps students record the literal details of a text, make connections and inferences. Inferences are hard for many students, especially struggling readers, because the text does not explicitly say. To make an inference students combine what the text says with what they know to come up with the answer. They need a scaffold, something that visualizes and helps students internalize the process of how to infer. The It Says—I Say chart helps students finally see a structure for making an inference.
It Says – Find information from the text that stands our or addresses a question. I Say – Think about what you know about the information. So What – Combine what the text says with what you know
to come up with the answer.

2. Window Notes/Organizer – Jay McTighe and Harvey Silver introduced this type of note making in Teaching for Deeper Learning (ASCD, 2020)Window Notes at its core is an invitation to think actively, to express curiosity, and to use prior knowledge and personal feelings to help construct meaning during note making process. Students use a window shaped organizer that encourages them to collect four different kinds of notes: 1. Facts: What are the important facts and details? 2. Questions: What questions come to mind? What am I curious about? 3. Connections: How does this relate to my experiences or to other things I have learned? 4. Feelings and reactions: How do I feel about what I am learning?”

3. Know. Question. Reflect. New Questions (KQRN) – I am over KWL charts. I think they work well in elementary school but when I see them utilized in middle and high school, we are not asking students to use higher level thinking. Here is a blog post I wrote ten years ago with alternatives to the KWL. What are some other organizers that are alternatives to the KWL and activate schema at the same time? The KQRN. This is another note making organizer that helps students extend their thinking about an idea or concept. Now with any of these organizers, the teacher wants to model for students how to complete these graphic organizers with examples and think alouds.

4. Character Traits Organizer – Characterization and theme are two key elements we study when reading literature in 8th grade English. Characterization refers both to the personality of a character and the way in which an author reveals that personality. A character’s personality is made up of different qualities, or character traits, that the reader discovers as the work unfolds. An author often gives characters several different traits to make them seem real and believable. Helping students develop the language to describe character traits and read to identify character traits is necessary to work on throughout the school year. Characterization leads to insight and inferences about theme. I have a stand alone organizer for character traits but also have created a hyperdoc based on the short story Raymond’s Run by Toni Cade Bambara that scaffolds the entire process of curating character traits then building out a written response about characterization as it impacts theme.

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New York Times Editorial Contest for Students

The the past five years The New York Times has hosted an editorial contest for middle and high school students. Students are asked to submit 500 word opinion editorial about an issue that matters to them. The newspaper’s website actually invites teenagers to share their opinions about questions NYT pose — and hundreds do, posting arguments, reflections and anecdotes. The contest is a bit more formal and open to all students ages 10-19. You can find the complete rules to the student contest HERE.

This NYT writing contest is a great teaching tool for writing and reading units of study. Persuasive writing is a key standard and learning target within the Common Core and Next Generation Literacy Standards. We are ending the school year with a mini-inquiry into editorial writing. First, students were immersed in a variety of NYT student writing contest winners and then students will write their own 500 word editorial.

The assignment has been adapted from the contest requirements and I have provided students with a graphic organizer to help start their writing. The student’s editorial is based on a culminating social studies podcast project that my humanities colleagues have created:

Task: Create a podcast with a team of students (of no more than three) that finds a thread in history and follows that thread through. Explore a current events topic and trace the history of that topic throughout time.

What is a “Throughline”? 

A Throughline is a theme, plot, or characteristic that connects stories together. Throughlines help the viewer or reader do a few things: understand the theme/character better over time, layer experiences, make predictions, and become invested in the story.


For example: Take the enduring issue of inequality and the topic of Black representation in Congress. Look all the way back to Reconstruction to the first African American man in Congress and trace the story of Black representatives and senators throughout our history and discuss why this unequal representation exists.

Utilizing the research completed for the podcast project, students are taking a particular stance on their podcast project.

For example: If students are researching and creating a podcast on the similarities between George Floyd and Emmitt Till, their editorial might address how history repeats itself or the failures of the American justice system, students might write about how racism still exists and Black Lives Matter.

Each student brainstormed five different perspectives about their podcast topic. Together, social studies and English are working collaboratively to support student research, writing, speaking, listening, reading, and digital literacy skills. Research must be done, facts are collected, evidence is weighed and carefully selected. To strengthen an argument further, a counter point is added and debunked. Students are motivated by topics they have selected and are using their voice to persuade others.

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One Pagers for Deeper Reading Comprehension

The One-Pager is a single-page response that shows a student’s understanding of the text. It is a way of making representation of one’s individual, unique understanding. It is a way to be creative and experimental and respond to reading imaginatively and honestly. The one pager assignment is a perfect summative assessment for students to showcase comprehension, synthesis, analysis, and evaluation skills. 

The requirements for the one pager are up to the teacher. I try to change up the one pager requirements with each assignment. Students complete two one-pager assignments in my class during the school year, I do not want to assign more than that because it loses it luster. Below are some examples of what students can include in their one pager. Also note the different one pager assignments I have shared in this blog post. 

Elements of the One Pager:

Write the title and author so that it stands out on the page.

Answer three (3) of the response questions from the question bank (see back) citing textual evidence to support your claims. – Sometimes I provide a question bank with higher level thinking questions for students to respond to where as if I am assigning the one pager later in the school year, I might have students create their own question and provide a short response answering the question. 

Pull out two (2) “notable quotes” or phrases that jump out at you, make you think or wonder, or remind you of something. 

The quotes must pertain to an aspect of the central idea/theme in the text. The quotes must emphasize key points to be remembered or used to explain the major concept. Write them down anywhere on your page.

Use different colors and/or writing styles to individualize each “quote” or phrase.

Include a visual image or illustration, which creates a visual focus; these images need to illustrate what pictures you have in your mind from reading.

Make a personal statement about what you have read–what does it mean to you personally? What is your opinion, final thought, big question or personal connection?

FILL THE PAPER UP with your words, images, and symbols. 

What Not to Do 

• Don’t merely summarize–you’re not retelling the story.

• Use unlined paper only, to keep from being restricted by lines.

• Don’t think half a page will do. Make it rich with “quotes” and images. 

Want More  . . . check out this blog post on NCTE providing more description and samples. My co-teacher provides specific students with PDF templates and checklists to help students with the visual layout of a one pager and also break down the assignment into smaller parts. 

Can one pagers be digital for your students who do not like or think they have artistic abilities, of course. Additionally, I have even had students work in groups to make collaborative one pagers for chapter notes when we are reading an whole class novel like Animal Farm. Working together helps break down the assignment into smaller pieces and also encourages discussion about the key elements of the reading and assignment. 

One pagers can be meaningful as an assessment tool, creative response to literature, and or check for understanding. One pagers are a powerful way to ask students to reflect upon what they have read. ISTE Standards for Students require students to be creative communicators as well as literate humans. One pagers are an invitation for teachers and students to consider alternative formats and opportunities to be creative communicators and design thinkers while at the same time, foster literacy learning in both a traditional and a blended learning environment

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