This weekend I attended ACME: Action Coalition for Media Education 5th Annual summit hosted by Sacred Heart University’s Media Literacy & Digital Culture graduate program and co sponsored with Project Censored. ACME identifies itself as “an emerging SmartMedia Education Network, a global coalition run by and for media educators.” ACME’s mission is threefold:
- Teaching media education knowledge and skills – through keynotes, trainings, and conferences – in classrooms and communities to foster more critical media consumption and more active participation in our democracy.
- Supporting media reform — few multinational corporations (Big Media) own much of the media that shapes our 21st century culture.– Media reform is crucial since only those who are media educated support media reform, media education must be a top priority for all citizens and activists.
- Democratizing our media system through education and activism.
Topics throughout the day addressed pedagogy, citizenship, digital production, journalism, and representations of race, class, and gender. I was invited to present with colleagues from Jacob Burns Film Center on their curriculum Image, Sound, and Story. Currently, in its third year of fruition, Image Sound and Story is a “series of ten hands-on lessons/projects that emphasize process, challenge-based learning, collaboration, and reflection to build students’ visual and aural communication skills.”
Our presentation was hands on and allowed participants to experience a piece of JBFC curriculum. We focused on structure and I shared how I use Image, Sound, and Story in my media literacy elective, Media Savvy Kids, and how it also influences my English classroom.
The unit on Structure (Moment to Moment) focuses on how to connect ideas through editing and match cuts when creating a film. When teaching writing, writer’s need to offer a road map for their readers in order to understand the sequence of ideas. Writers use specific transitions to guide and emphasize their intentions. These transitions are similar to the types of cuts film directors and editors have to think about to create a coherent film. Below are the slides from the presentation and at the end I include samples of student work to highlight the intentions of my student writers.
To learn more about Media Literacy professional development opportunities click on the links below: